![]() Playfulness suffuses the themes, with little phrases tossed imitatively among the instruments and a clucking motif holding the material together. ![]() The opening Allegro ma non troppo movement initially seems to ease itself in, Haydn style, with a slow introduction, but this turns out to be merely a somewhat broad, harmonically teasing short statement that rambles straight into the cheerful first subject. It is believed that this may have been one of the pieces performed at a quartet party the following year in which the players were violinists Haydn and Dittersdorf, violist Mozart, and cellist Vanhal. Mozart worked on this quartet over the course of two months in summer 1783 perhaps he had this piece in mind when in his dedication he described the group as "the fruit of a long and laborious effort" - it seems he knocked each of the others off in as little as a single day. Of Mozart's six quartets dedicated to Haydn, this is one of the most genial and, in some respects, most Haydn-esque in its delight in unexpected shifts of harmony.
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